Frustration: Why Are Artistic Whims So Often Misunderstood by Critics?

It’s ‍endlessly frustrating​ seeing artists,especially in less ⁤mainstream​ areas like experimental music or independent film,get slammed by critics for ⁢choices that seem totally intentional and,frankly,interesting. It frequently enough feels like critics are coming from a place ⁣of‌ expecting a ‍certain kind of product, a ‌replication ⁤of established norms, rather than genuinely engaging with what the artist⁢ is *trying* to ⁤do.Is it that critics are ⁢frequently ⁤enough incentivized to be contrarian or provocative to generate clicks? Or ⁤maybe it’s ⁣simpler: a failure to appreciate​ the “rules” of a particular niche genre. What might ⁢seem like ‌a flaw in a mainstream pop song – a jarring sound effect for instance – could be a purposeful stylistic choice in⁤ noise music, intended to evoke a specific feeling.

I’m ‍curious if‌ other people have noticed this,and what their thoughts are. How much duty do ‌critics have to ⁣understand the artist’s⁢ intent versus judging a‍ work on its own​ perceived merits? ‍And how much does the pressure to be “objective” ‌actually⁣ stifle genuine understanding and gratitude of ⁢artistic⁤ risk-taking?

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